Project Proposal
How do creatives shape our vision of artificial intelligence?
My project will focus on how illustration has shaped our perception and understanding of present day and future artificial intelligence. How has illustration influenced future design of technology once the technology catches up? More specifically I will focus on the advancement of artificial general intelligence - AGI programmes that have the ability to learn through reinforcement learning similar to a human brain’s neurological network.
These AGI programme’s have the potential to become not just as intelligent as humans but perhaps astronomically more intelligent and intuitive than us. Without a thoughtful social and political global debate a possible intelligence explosion or ‘singularity’ means we may lose control of an ever accelerating AGI intelligence with it’s own intuition and ruthless objectives that lets nothing get in it’s way, including humans.
I will explore how illustrators interpret AI and AGI. Illustrators have a huge influence on how the creative industries shape their vision of AI. Film and TV programmes such as Star Trek, Star Wars and Blade Runner have a deep rooted influence on how designers find inspiration and create new devices for consumers and industry. Films and TV programmes featuring future AI can often become dated (payphones in Blade Runner(1982)) or go on to be timeless such as Kubrick’s 2001: A Space Odyssey(1968).
How does contemporary illustration portray artificial intelligence to lay audiences? Magazines and newspapers often use a cliched artistic interpretation of a terminator like robot with red eyes to accompany serious articles about breakthroughs in AI. How responsible are illustrators in communicating the complex and varied advances in AI? Many illustrators will use a humanoid type robot as way of explaining how AI programmes are becoming as good as humans at certain tasks. The truth however is more subtle - why would an AI programme need to evolve to look and move like a human?
I will create a series of conceptual illustrations for chosen articles about recent advances in AGI and AI as well as making concept art based on what future technologies are predicted now.
Some of the themes I will explore will be how we humanise AI technology in film and illustration. Do we see ourselves as the pinnacle of intelligence in the universe? Do we visualise AI technology simply as an extension of our human flaws and emotions?
I will research how illustration has explored these themes and questions about AI in the past and how we visualise AI now to inform my own work. My work will be context and concept driven based on extensive research.
As an outcome I want to see how my own view of the world shapes my vision of AI and future technologies. Will I feel a responsibility to be as impartial as possible given it’s such an unpredictable subject? The subject of how positive AI will be for humans is a divided one, often only the extreme versions of utopia and dystopia being shown for entertainment purposes. My own level of pessimism and positivity will no doubt unconsciously influence my outcomes.